I am an interdisciplinary maker of performances, installations, videos and experiences. Through lightly humorous, casual and intimate works, I am interested in exploring the absurdity of human connection and my failure at being a social relational creature. I search for ways of navigating vulnerability, sharing, boundaries, love, labor, privacy and trust. Acts of serving, consuming, hiding, revealing, giving and receiving all become  ways of questioning how we relate to one another. I embrace imperfection, impermanence and uncertainty. Participants are both witnesses and collaborators in a continual search for tenderness and presence. 

I come from a background in devised theatre and value collaborative processes, ways of making that are reciprocal rather than extractive, collective rather than individualistic: whether that is collaborating with an ensemble, with the audience, or social practice. My work is rooted in the belief that art should function as a relationship, as part of everyday life rather than confined behind institutional walls. I believe in organic, ecological, rhizomatic models of relation, care and reciprocity. I have no interest in binaries or hierarchies, including those of the distant, impersonal and elitist separations between performer/participant or private/public, as well as logocentrism and ocularcentrism. 

My investment in community, social practice, relationality with its antagonisms, site-work, public art, collective action and creation or my investment in artistic mediums that resist commodification is not a personal preference but a survival strategy and a socio-political ethical position in our individualist, neoliberal, late-stage capitalist reality.